201-01 test 299-01 test 300-209 test 3I0-012 test 500-051 test 70-462 test 70-461 test 070-410 test JN0-102 test 70-411 test C_TADM51_731 test C4090-958 test 70-483 test EX300 test 070-461 test MB2-702 test MB7-702 test 220-802 test 400-101 exams 646-206 exams 700-501 exams 70-480 exams C4040-108 exams MB2-701 exams 070-411 exams 100-101 exams 640-554 exams 700-505 exams 70-457 exams 70-460 exams C2150-197 exams EX0-001 exams 070-243 exams 70-466 exams C_THR12_66 test C4040-225 test 1Z0-061 test 70-347 test C4090-452 test VCP-550 test 070-177 test 070-412 test 70-417 test 70-463 test 70-488 test C_HANATEC131 test C2090-303 test C2090-614 test 70-331 test MB5-705 test 070-247 test 070-347 test 070-463 test 300-206 exam dumps 70-243 exam dumps 74-325 exam dumps C2020-622 exam dumps C2030-283 exam dumps C2090-540 exam dumps C2180-278 braindumps HP0-J73 braindumps ICBB braindumps 070-246 braindumps 070-341 braindumps 070-417 braindumps 070-457 braindumps 070-458 braindumps 1Z0-481 braindumps 1Z0-599 braindumps 300-207 braindumps 70-246 braindumps 70-414 braindumps A00-240 braindumps C_TAW12_731 braindumps 400-101 braindumps 70-410 exam dumps 050-SEPROAUTH-02 exam dumps 200-120 exam dumps MB2-703 exam dumps 070-462 exam dumps 70-462 exam dumps 70-461 exam dumps 070-410 exam dumps JN0-102 exam dumps 70-411 exam dumps C_TADM51_731 exam dumps C4090-958 exam dumps 70-483 exam dumps EX300 exam dumps 070-461 exam dumps MB2-702 exam dumps MB7-702 exam dumps 220-802 exam dumps 400-101 exam dumps 646-206 exam dumps 700-501 exam dumps 70-480 exam dumps C4040-108 exam dumps MB2-701 exam dumps 070-411 exam dumps 100-101 exam dumps 640-554 exam dumps 700-505 exam dumps 70-457 exam dumps 70-460 exam dumps C2150-197 exam dumps EX0-001 exam dumps 070-243 exam dumps 70-466 exam dumps C_THR12_66 exam dumps C4040-225 exam dumps 1Z0-061 exam dumps 70-347 exam dumps C4090-452 exam dumps VCP-550 exam dumps 070-177 exam dumps 070-412 exam dumps 70-417 exam dumps 70-463 exam dumps 70-488 exam dumps C_HANATEC131 exam dumps C2090-303 exam dumps C2090-614 exam dumps 70-331 exam dumps MB5-705 exams 070-247 exams 070-347 exams 070-463 exams 300-206 exams 400-101 exams 70-410 exams 050-SEPROAUTH-02 exams 200-120 exams MB2-703 exams 070-462 exams 70-462 exams 70-461 exams 070-410 exams JN0-102 exams 70-411 exams C_TADM51_731 exams C4090-958 exams 70-483 exams EX300 exams 070-461 exams MB2-702 exams MB7-702 exams 220-802 exams 400-101 exams 646-206 exams 070-247 test 070-347 test 070-463 test 300-206 exam dumps 70-243 exam dumps 74-325 exam dumps C2020-622 exam dumps C2030-283 exam dumps C2090-540 exam dumps C2180-278 braindumps HP0-J73 braindumps ICBB braindumps 070-246 braindumps 070-341 braindumps 070-417 braindumps 070-457 braindumps 070-458 braindumps 1Z0-481 braindumps 1Z0-599 braindumps 300-207 braindumps 70-246 braindumps 70-414 braindumps A00-240 braindumps C_TAW12_731 braindumps 70-243 exams E10-001 exams 70-410 exams 1Z0-062 exams 70-466 exams 200-101 exams 70-489 exams MB2-701 exams 640-864 exams A00-211 exams C_TAW12_731 exams 70-410 exams 400-101 exams 70-410 exams 050-SEPROAUTH-02 exams 200-120 exams MB2-703 exams 070-462 exams 70-462 exams 70-461 exams 070-410 exams A00-240 exam C_TAW12_731 exam C4030-670 exam C4040-224 exam C4090-450 exam C4120-783 exam EX200 exam MB2-700 exam MB3-700 exam MB6-869 exam OG0-093 exam

Prism OST

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[click the artwork to download the score. 320kb/s mp3]

Behold, the score for Jackson Miller’s Prism. I originally approached Jackson to score this after seeing the Kickstarter (I scored his film Cycle a year or so back) and thinking the project was going to be amazing. I was right; the VFX team on the project was amazing, the script was amazing, and the entire thing was just a masterclass in good filmmaking. I’m proud to have worked on this one.

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Calculate distance

Maximus

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[click the artwork to download]

Written for The Luminarium’s 25th exhibit, Silver. The exhibit is full of some amazing artwork, and I highly suggest you go check it out if you have not already.

Maximus is a 22 minute digital symphonic work in the usual three movement format, with each movement building progressively on the themes and motives in the movement preceding it. The idea behind this project was to portray concepts inherent in supernovae and black holes like power, scale, speed, and ferocity. All the same, I wanted to avoid writing in the style I usually write, with ten thousand horns blasting in front of ten thousand strings. I wanted to keep the tone epic (because that’s what I like to write), but also attempt to reel in the instrumentation and stay somewhat sparse.

I hope it worked.

Click the artwork below to start downloading the movements. The quality here is much higher than what’s available on the Luminarium’s site (due to upload size constraints), so I highly recommend this version if you’re picky about audio quality (320kb/s here vs 96kb/s on Lum’s site).

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Beta 13 OST

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Score for a dystopian sci-fi film set in the seemingly near future; this was actually a difficult score to compose, as I’m used to kind of going over the top with everything I write. Staying sparse and in the background was quite a challenge.

[click the artwork to download]

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Time Is The Substance From Which I Am Made

Lum Thumbnail

[click the artwork to download]

Lots of music coming quickly here! A more massive recent project for The Luminarium’s latest exhibit, Kibernetik, which can be found here (this piece grabbed a featured spot as well!).  

This is a 27 minute long electro-accoustic symphony (technically the third electronic symphony I’ve written now) that follows the conceptual soundworlds that many cybernetic films and games are based in (think Matrix, BladeRunner, Aeon Flux, Mass Effect, Half Life, etc.). It’s a labor of love. Enjoy it. Some cover art and a full 320kb/s download await. Cheers.

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Superluminal

[click the artwork to download]

A few months ago I decided to attempt dubstep (for lack of a better term for what this actually is, we’ll call it dubstep]. Whether or not I was successful at it is up for debate, but as this was submitted for The Luminarium’s latest exhibit I wasn’t able to post it up until that exhibit, Illuminate V, was released. Go check that out here. It’s an impressive conglomeration of artwork, and I managed to snag the featured spot for music again. So that’s fun.

At any rate, you be the judge of whether or not this is successful at what it tries to be. This type of music is deceptively difficult to produce; there’s a lot of glitching and micro-level work needed to make it sound convincing. Clicking the artwork downloads a zip file with the music and the full-sized artwork if anybody wants it.

320kb/s mp3.

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Cycle OST

Cycle OST

It’s been a while since I posted any new music (September, specifically), so here’s one of the scores I wrote this semester. Clicking the artwork downloads the track with the full-version artwork, so enjoy that. Merry Christmas.

320kb/s mp3’s as usual. Not a whole lot to say about this one, it’s pretty standard but worked well in the final cut of the film. I’ll see if I can update at some point with a copy of the finished product.

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Fear Not OST

Fear Not OST

 

[Click on the artwork to download]

So I forgot to include this score in the C&SVIII this summer on account of the fact that I was in Seattle without all the files on my computer and completely forgot about it, but hey, better late than never. This was Mac Nelsen’s horror/redemption epic senior thesis which I hopped on around December before the semester began. Good times.

320kbps. Download in the artwork, or the player below. Take your pick. The themes and motifs in this are loosely based on Chopin’s 2nd piano sonata, so there’s some easter eggs for the classical buffs out there.

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The Reckoning – Electric Symphony No. 2

The Reckoning - Electric Symphony No. 2

[Click the artwork to download]

A somewhat large project accomplished entirely on a laptop for The Luminarium’s latest exhibit, Elements, which I will post a link to when it’s finished. At any rate, this is now the second electric symphony; an electroacoustic combination of orchestral and synthetic instruments in three movements.

The three movements are titled, pretentiously enough, after a sort of “guideline story” that I had in mind while writing. The Reckoning is a programmatic symphony that follows the story of a dystopian society in a post-apocalyptic Earth, ruled by a corrupted government and ultimately toppled by the actions of one boy who inadvertently exposes the actions of higher powers. At least, that was the idea I had in mind. The purpose was to write music that would sort of “fill in” the story in the mind of each individual listener. Hope it works for you.

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The Ark OST

[Click the artwork to download]

Score for Sam’s AP, “The Ark”, which screens at Chapman University in Folino Theater on December 11th. In typical musical tradition, the score is releasing the night before. Mixed in 5.1 for extra epic on the final cut. This was my “big” score for the semester.

“The Ark” is a sci-fi drama about humanity reaching the technological singularity (read up on this), and what happens to those caught in the events that follow.

Some nice album artwork and 4 cues @ 320kbps awaiting at the download. Enjoy.

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Introduction

Some quick stuff. I’ve been working on this for a grand total of less than 24 hours.

Started at 2am on Tuesday morning, finished at 1:45am on Wednesday morning. I had some random spurt of inspiration the night before and figured I might as well make it short and sweet rather than trying to make it another 15 minute long thing.

So yay! This will be the intro for the C&S: VIII.

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Here is your download. 320kbps mp3. Surprise.

 

So It Continues

Here we have it, the third iteration in the endless remix of The Continuum. If you’re interested in the utter crap it sounded like when it was first produced, check out Audiology and have a listen. It’s come a long way since then. Next is probably a dubstep version. But let’s give it a year or two before we jump into that. In the mean time, I have other massive projects (as usual) in the works. Until such time as those can be released (while I spend the majority of my time agonizing over leitmotifs), enjoy these little intermittent electronic releases that serve to both a) hold you over, and 2) keep me from destroying my computer from lack of inspiration.

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And, as usual, 320kb/s mp3. Lots of new synths and sounds, I’ve been combing the internet since I realized that the stuff I’ve been using is, in reality, utter crap. Here is your download link.

Download

(right click, save as)

Insomniac

I’ve been working on this one on and off for a little over a month now. Started it right after the Jekyll and Hyde, then worked on it off and on in random spurts at 2am. Hence the title.  This will be the music backing the racing video I shot of David and Chris back in July, when I eventually get around to finishing that as well.

Also, I’ll make the artwork for the compilation soon and release that so you have that, if you want it.

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Sidebar: I’m going to attempt some form of dubstep within the next month or so. Not sure how that’ll work out, but maybe it’ll be cool and you’ll get to listen to it.

Yay for no compression again! 320kb/s mp3, as usual. Enjoy your download ladies.

Download

And What Follows

[click the artwork to begin downloading the zip file]

The latest mix is out! First music in nearly three months… Brutal. About two weeks ago, I started to get some ideas flowing again and this started to take form.

So, a little about the pretentious title: “And What Follows Is Not Discord, but Eternal Entropy and Ice”. Every time I’ve written any bit of music in the last year or so, I’ve been reading about astrophysics, the universe, quantum physics, and I write with these really vivid images in mind. And every time I’ve released something, I’ve had an accompanying Wikipedia article. This month’s selection is Entropy. Read about it while listening to this. The title itself is a result of a quote one Brett Wilkins found while searching quotes on astrophysics pages. The quote itself refers to the Big Bang, and the expansion of the universe.

This isn’t a symphony, but it’s not a short piece either. 18 minutes of ambient split into two movements, each just over 9 minutes long. No break between movements, which is something new (and a massive pain to do quickly, as I’ve found out…), but each has it’s own character.

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Skyward

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So what we have here is a combination of like three things: 1) a rejected score from a project I was working on recently, 2)some freeform random stuff, and 3) the Legend of Zelda remix Casey has been asking for for about a year.

Hence, “Skyward”.

Also, this, at a bit over 5 minutes, is the shortest song I’ve written in a while.
And I have artwork for the new compilation coming soon. Anyways, enjoy as usual.

Supercell

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Originally wrote the free-form opening a few months ago, got discouraged, threw it somewhere in my hard drive, and forgot about it. A week ago, I was looking for something to do other than study for finals and I found it and got the idea to turn it it into what it is now. Lots of work on this one. I really struggled to make it into something decent, since I wanted it to be balanced but still a decent length to make it worthwhile to listen to. I’m still running on this “long music” kick. Really makes it a nice investment to listen through.

As usual, here’s your Wikipedia article. Thanks to Brett for the inspiration for the title. Read up and be amazed.

 

Download

The Electric Symphony v2

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I had a bit of time before my flight left for Seattle, so I spent it finalizing this project. This is most likely the final version, I have to quit this project before it takes over me, I keep finding more and more things to fix. I’ll just have to leave it how it is, 38 minutes of music is way too much to spend countless hours poring over.

ANYWAYS. Updated synths, strings, and brass, remastered with Maximus, and added a few extra orchestral sounds in the first and last movements. Bass boosted in every movement, kick sections cleaned up and refined, and some extra synths added before the drops of the first and last movements again. Second movement synths changed so they aren’t so repetitive, harmonized more, levels adjusted, and everything else I could find that was bugging me. Lots of stuff to download, deal with the file sizes. They’re 320kb/s mp3’s because I hate everything that isn’t high quality.

 

Movement 1 Download

Movement 2 Download

Movement 3 Download

Movement 4 Download

Audiology

 

[Click the artwork to begin the download]

Don’t be mistaken, this is old stuff. But in keeping with my goal of having everything I’ve made available in one place, I’m putting it up. I’ll keep it on the front page for a while before I eventually move it to it’s original publication date somewhere in the archives.

This is a weird compilation. Some of the stuff here is good, most of it is miserable. I wasn’t really great at mastering when I produced this. Interesting to listen to something closer to the “roots” of the sound I’m moving towards though. But regardless, here it is, at 320kb/s mp3’s. Much love, Happy Thanksgiving.

 

 

Electric Symphony Update

Just a small update on what’s in the works in the music department, since it’s been over a month since I’ve released anything new on the site. I have a couple of new “ideas” running, and I’m going to try and get a recording of the reading of a piece I’ve been working on in composition seminar to put up on the site once that’s made.

My main project at the moment is a completely remastered mix of the Electric Symphony. The second movement is getting some overhauled synths, reworked strings, and a more sonically accurate climax. Movements 1 and 3 are just getting remastered, and the climax of movement 4 is being completely remastered for pants-wetting awesome. Expect this all in a few weeks or so, probably after Thanksgiving. At any rate, the photo of the day is still going strong, so bear with me while I finish the music projects :)

Black Holes Light The Way

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Written for a school project in a single sitting, around seven hours of straight up work. No insane Wikipedia article on this one this time, just some calm music. The time signature is a bit different, not my usual 4/4. Counted in eighths, the song is 14/8. Just listen, you’ll catch on. Written in FL Studio 10 with Reason rewired in. Apologies if the levels are somewhat off, I might have to fix them later. Wasn’t mixing with my usual headphones, as I left them in Seattle over the weekend.

Download

(right click, save link as)

Chaotic Inflation

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This took about a week and a half with a multitude of computer crashes in between. Nice and complicated, as usual. I’ll update this post with the album artwork soon.

With all of the pieces from this new work coming out, I urge you all to Google the titles of the music. They often lead to mindblowing wikipedia articles and/or complex physics essays that make you feel horribly insignificant. Happy reading!

Download

Exaseconds and Genesis

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While experimenting with a number of ways to make synth strings sound better, I hit upon the gem of the idea that I had to work much harder. Thus, behold.

I was in a very speculative mood when I wrote this. Therefore, educate yourself while listening. Then read this to have your mind blown.

Also, note that this along with the Electronic Symphony marks the start of a new body of work, title currently pending.

Download

The Electric Symphony

While I was up in Seattle for the last two weeks, there wasn’t much to do for the majority of the time. To pass the time, I spent most of it on the computer writing an electric symphony.

Classical symphonies have very strict form- I took some of this to heart and then took creative liberties with the rest of it. There are four movements, combining for a total listening time of 37.5 minutes. This was an exceptionally large project.

Clicking play will start the symphony; it will automatically cycle through the entire piece. If you want to re-listen to a particular movement/section, use the red arrows to navigate. Hope you all enjoy.

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Movement 1 Download

Movement 2 Download

Movement 3 Download

Movement 4 Download

 

College and Stuff

[Click the artwork to begin downloading]

June to June, a year in music. Everything in here is everything that I’ve written from June 2010 to June 2011. Most of these are already available on the website, but here there are now, categorized, artworked, and ready to be added to your iTunes. Included in this release is all electronic music from forever, random tracks from jam sessions at friends houses, and all of the school projects and scores I did this year, including all of the tracks for Insertion (including a few tracks that were unreleased until now) and everything from A New Man, the Advanced Production from the film school that I scored. It’s a total of 2 hours of solid music.

Also of note: I don’t believe in compression. It makes music sound miserable, and despite what you all think you CAN hear the difference. Therefore, this is a massive download at 200mb. Deal with it, the end result sounds better.

Any Means Necessary

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I’ve been on a writing kick for the last 72 hours now. This is my 3rd song in that amount of time. This must continue.

Anyways. This is something I was messing around with, it has a multitude of different time signatures throughout the song. I was also playing around with the Z3ta synth again, since I got it working exactly how I’ve wanted to be able to work it for quite a while now.

Superstring

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Project for Music Technology. Sequenced in FL Studio, effects and mixing plus extra sounds done in Logic Pro 9.

Vocalist is Tiana Franzetti (Chapman University).

 

Butterflies

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Don’t ask about the title. I don’t understand it either.

Bad Lifeguard Remix

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Here’s the original video on YouTube. Enjoy. Go look at Nathan Worden’s awesome stuff.

http://www.wordenphotography.com/blog/

Search and Seizure

Created for the Esperanza High School volleyball team to rap to. Which they never did, but whatever. It was still funny while it lasted.

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RandomSauce

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One of my friends asked me to make the most epic trance song I could. I gave it a shot and this is what popped out.

FL Studio 8.

Skating

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Click Play.